Stolen History Part I – Lifting The Veil Of Deception
What do we really know about our past? Are we suffering from a collective memory loss?
Who are we really? And where do we come from?
Was there a technically advanced unified civilization on our planet less then 500 years ago?
Are star citites one of the markers of this civilization?
Was there a reset that destroyed large parts of our past, our knowledge and culture?
NOTHING IS AS IT SEEMS.
It is time for us to remember again and lift the veil of deception.
Stolen History Part II – The Destruction of the Old World
Before industrialization, there was only one form of sophisticated architecture in the world. Known today as historicism, or revival architecture, because according to the official narrative, virtually all of these buildings were created only in the 19th century, supposedly as a recourse to ancient Greco-Roman architectural trends (neo-Gothic, neo-Renaissance, neo-baroque, etc.).
The basic principles of these buildings were always the same and their quality unrivaled. Is this uniform architecture an indication of a unified civilization that only recently broke up into individual kingdoms or nation-states?
Stolen History Part III – The Mystery of the World’s Fairs
And what of the World’s Fairs? Were a large proportion of the World’s Fair Buildings actually built from scratch, as the official historiography claims? There is much to suggest that the robber barons of the industrial age not only hid once widespread technological knowledge from us, but that they also hijacked some of the impressive architectural masterpieces in which parts of this knowledge was displayed.
Some of the buildings from the World’s Fairs still exist today, and they are obviously not made of plaster or similar fragile materials. Were they subsequently rebuilt to be permanent structures? Is it even possible that the elaborately designed Expo sites were built with the technological capabilities of the time within just a few months, only to be destroyed again a few months later after the exhibitions had ended? Or is it plausible that after a great catastrophe the worldwide remains of the preceding high culture were not only systematically destroyed, but also pressed into an image of history imposed on us?
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